Nghĩa của từ ashcan school bằng Tiếng Anh

noun
1
a group of American realist painters active from circa 1908 until World War I, who painted scenes from the slums of New York. The school grew out of the group called “the Eight.”.

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1. The Ashcan School, an introduction

2. Each Ashcan school art print is produced using archival inks, ships within 48 hours, and comes with a 30-day money back guarantee! Customize your Ashcan school print with hundreds of different frames and mats, if …

3. Ashcan School, group of American realist painters based in New York City in the early 20th century

4. Shop for Ashcan school art prints from our community of independent artists and iconic brands

5. The Ashcan School was the first art movement of the new century in America, and its first specifically modern style

6. The Ashcan School represented the most progressive artistic trend in the United States in the decade preceding the Armory Show in 1913

7. After the New York audience's exposure to Duchamp's Cubist-Futurist Nude Descending a Staircase and other such truly startling pictorial innovations, the representational scenes of the Ashcan School began to look staid by comparison.

8. The Ashcan School art movement, or sometimes called Ash Can School movement, was an artistic movement started in the America during the early twentieth century that is best known for works depicting scenes of everyday life in New York City, in the city's poorer neighborhoods, with working-class and

9. The term Ashcan School was suggested by a drawing by Bellows captioned Disappointments of the Ash Can, which appeared in the Philadelphia Record in April 1915; was invoked by cartoonist Art Young in a disparaging critique that appeared in the New York Sun in April 1916; and was given curatorial currency by Holger Cahill and Alfred H

10. Known for its gritty urban subject matter, dark palette, and gestural brushwork, the Ashcan School was a loosely knit group of artists based in New York City who were inspired by the painter Robert Henri.The group believed in the worthiness of immigrant and working-class life as artistic subject matter and in an art that depicted the real rather than an elitist ideal.